Helpful Score: 2
Reviewed by Julie M. Prince for TeensReadToo.com
Since her father's death, the fate of the Miller family woolen mill and that of the Shearing village rests on Charlotte's shoulders. An unexpected and seemingly insurmountable debt leads to a difficult choice for the normally practical and levelheaded miller's daughter.
Must she take the offer of the strange little man who can weave straw into gold, or can she make her own way through the maze of ill luck and deceit that seems her family legacy?
Elizabeth C. Bunce's A CURSE DARK AS GOLD is worth its own weight in gold and then some. A folkloric re-telling beyond Rumpelstiltskin proportions, this tale weaves the best storytelling techniques into a fine tapestry of intrigue, drama, and romance.
The tight writing never wavers. Gorgeous, consistent language abounds, like, "I sank to my knees in a sea of crumpled flannel and pressed my hands into the sharp shale of the yard, as if bites from the stones could remind me of who I was."
And just who is Charlotte Miller? Certainly one of the most fascinating characters I've come across of late. If not self-confident at the beginning of our story, she is at least confident in what she knows: the mill cannot go under and the families of Shearing cannot be allowed to starve or scatter to the winds. As she is the only one around to prevent these happenings, Charlotte will do what she must to prevent them. And so she does.
As time goes on, and with Pinchfields Mill of Harrowgate nipping at her heels, Charlotte's choices become ever more difficult and the stakes are raised as she struggles through crisis after crisis. Charlotte's resolve to dismiss the very idea of the Miller Curse crumbles into a pile of wasted wishes as the harsh reality of the unreal comes to be. She is forced to play the hand that's dealt, facing sinister forces she once easily dismissed.
A strong protagonist indeed.
Every word counts in this amazing book. The language, while assuredly stunning and appealing, is never frivolous. It's hard to believe this is a debut novel, and I eagerly await whatever Ms. Bunce wishes to put in front of me next, as it's sure to be delightful and satisfying if it's near the quality of A CURSE DARK AS GOLD.
It's only fitting that this novel be recommended for the Gold Star Award for Excellence and admittance to the TeensReadToo Hall of Fame.
Since her father's death, the fate of the Miller family woolen mill and that of the Shearing village rests on Charlotte's shoulders. An unexpected and seemingly insurmountable debt leads to a difficult choice for the normally practical and levelheaded miller's daughter.
Must she take the offer of the strange little man who can weave straw into gold, or can she make her own way through the maze of ill luck and deceit that seems her family legacy?
Elizabeth C. Bunce's A CURSE DARK AS GOLD is worth its own weight in gold and then some. A folkloric re-telling beyond Rumpelstiltskin proportions, this tale weaves the best storytelling techniques into a fine tapestry of intrigue, drama, and romance.
The tight writing never wavers. Gorgeous, consistent language abounds, like, "I sank to my knees in a sea of crumpled flannel and pressed my hands into the sharp shale of the yard, as if bites from the stones could remind me of who I was."
And just who is Charlotte Miller? Certainly one of the most fascinating characters I've come across of late. If not self-confident at the beginning of our story, she is at least confident in what she knows: the mill cannot go under and the families of Shearing cannot be allowed to starve or scatter to the winds. As she is the only one around to prevent these happenings, Charlotte will do what she must to prevent them. And so she does.
As time goes on, and with Pinchfields Mill of Harrowgate nipping at her heels, Charlotte's choices become ever more difficult and the stakes are raised as she struggles through crisis after crisis. Charlotte's resolve to dismiss the very idea of the Miller Curse crumbles into a pile of wasted wishes as the harsh reality of the unreal comes to be. She is forced to play the hand that's dealt, facing sinister forces she once easily dismissed.
A strong protagonist indeed.
Every word counts in this amazing book. The language, while assuredly stunning and appealing, is never frivolous. It's hard to believe this is a debut novel, and I eagerly await whatever Ms. Bunce wishes to put in front of me next, as it's sure to be delightful and satisfying if it's near the quality of A CURSE DARK AS GOLD.
It's only fitting that this novel be recommended for the Gold Star Award for Excellence and admittance to the TeensReadToo Hall of Fame.
Helpful Score: 1
I always look forward to fairy tale retellings, and with this one winning the Morris Award for Best Debut YA, I eagerly picked up A CURSE DARK AS GOLD after two years of having this in my TBR pile. Unfortunately, it was pretty much an all-around disappointment, and in rather unexpected ways: for some reason, the way the story was written, and the way it unfolded, really frustrated and repelled me.
A CURSE DARK AS GOLD theoretically had all the elements I like in a story: a unique spin on a fairy tale, a strong female protagonist, and a compelling plot with only the subtly appreciated undertones of romance. However, I wasnt far into the book before the way the story was playing out began to irk me. Charlottes vehement insistence that there was no such thing as a curse soon characterized her as blindly stubborn to me: I like my fair share of headstrong and independent females, but not when they are stubborn in a maddeningly close-minded way. Hints about the malignance of the curse were dropped in the book from here to kingdom come, but it was not until the last fifth of the book that things began to be explained, and I cant help but think that all stories that are carried forward by the mysterious and pervasive influence of a shocking secret are kind of gimmicky. The absolute lack of forward progression in the plot regarding the understanding of Stirwaters, the Miller history, and the curse made me so frustrated that I was tempted to put the book down forever and not bother to find out how it ended.
As Charlotte insisted on pulling away from her loved ones in a misguided effort to protect everyone and shoulder the burden herself, I just couldnt bring myself to empathize with her decisions. Theres a difference between being admirably independent and dumbly mule-headed, and Im afraid that Charlotte fell on the wrong side of that line.
All in all, A CURSE DARK AS GOLD was actually too light on the Rumpelstiltskin retellings, rendering itself more just a supposedly spooky and tense story of desperation and redemption that turned out not to be my thing, mainly because of my dislike of the main character for her mule-headedness and the way the plot unfolded. These criticisms I have, of course, are far more subjective than my usual ones, and so if you think that these two points wont bother you as much as they did me, then I encourage you to give this award-winning book a try. Many important people obviously thought it was a great work, so there is the likelihood that I am in the minority on this one.
A CURSE DARK AS GOLD theoretically had all the elements I like in a story: a unique spin on a fairy tale, a strong female protagonist, and a compelling plot with only the subtly appreciated undertones of romance. However, I wasnt far into the book before the way the story was playing out began to irk me. Charlottes vehement insistence that there was no such thing as a curse soon characterized her as blindly stubborn to me: I like my fair share of headstrong and independent females, but not when they are stubborn in a maddeningly close-minded way. Hints about the malignance of the curse were dropped in the book from here to kingdom come, but it was not until the last fifth of the book that things began to be explained, and I cant help but think that all stories that are carried forward by the mysterious and pervasive influence of a shocking secret are kind of gimmicky. The absolute lack of forward progression in the plot regarding the understanding of Stirwaters, the Miller history, and the curse made me so frustrated that I was tempted to put the book down forever and not bother to find out how it ended.
As Charlotte insisted on pulling away from her loved ones in a misguided effort to protect everyone and shoulder the burden herself, I just couldnt bring myself to empathize with her decisions. Theres a difference between being admirably independent and dumbly mule-headed, and Im afraid that Charlotte fell on the wrong side of that line.
All in all, A CURSE DARK AS GOLD was actually too light on the Rumpelstiltskin retellings, rendering itself more just a supposedly spooky and tense story of desperation and redemption that turned out not to be my thing, mainly because of my dislike of the main character for her mule-headedness and the way the plot unfolded. These criticisms I have, of course, are far more subjective than my usual ones, and so if you think that these two points wont bother you as much as they did me, then I encourage you to give this award-winning book a try. Many important people obviously thought it was a great work, so there is the likelihood that I am in the minority on this one.
