And Now She's Gone has a plot that's more convoluted than San Francisco's Lombard Street, and I enjoyed every twist and turn. Grayson Sykes' voice drew me right into the story, and we're told from the beginning that she's a strong woman who keeps a lot bottled inside. When looking at a photo of the missing Isabel Lincoln, Grayson sees the type of woman that most men want to marry: a Mary Ann. Her boss tells her, "You're not a Mary Ann. You're the Skipper. No nonsense. Reliable. Resourceful." Not words to warm the cockles of most women's hearts, but true enough, especially when describing a woman who "kept her jaw clamped like a crocodile on a wildebeest's leg."
The further the reader gets, the wondering sets in. Why does Grayson seem to be identifying so much with the woman she's trying to find? Then the gradual unfolding of Grayson's backstory begins, and as it's woven in with Isabel's story, the cat-and-mouse game comes into its own. And Now She's Gone is a spellbinding look into how violence and fear can lead a person to abandon everything in order to survive.
Note: If you'd like to read more books by Rachel Howzell Hall, I recommend her four-book series featuring Elouise "Lou" Norton, a Black homicide detective in Los Angeles. The first book is Land of Shadows.
The further the reader gets, the wondering sets in. Why does Grayson seem to be identifying so much with the woman she's trying to find? Then the gradual unfolding of Grayson's backstory begins, and as it's woven in with Isabel's story, the cat-and-mouse game comes into its own. And Now She's Gone is a spellbinding look into how violence and fear can lead a person to abandon everything in order to survive.
Note: If you'd like to read more books by Rachel Howzell Hall, I recommend her four-book series featuring Elouise "Lou" Norton, a Black homicide detective in Los Angeles. The first book is Land of Shadows.
