Helpful Score: 5
I found this book to be quite dismal and bleak. It was a long book and I was disappointed in the end and was left wondering why I continued to read it. I regretted the time it took me to spend reading it.
It is the story about a family that escapes Germany during the war to America. Although educated they find themselves in menial work and place in society. This is met with much bitterness and mistrust on their part. I found myself mostly being angry with the main characters as I felt although they did meet with some predujice they also limited their own experiences because of their mistrust and bitterness. I wanted a glimmer of hope for their lives but got little. As I felt they tried little. They took their bitterness over their circumstances out on each other which eventually ended up in destroying their family and each other.
Although the young girl rose way above her circumstances that she was raised with, she still had an attitude of self defeatism and I felt little joy and happiness in her circumstances. In the end there was a small nugget of joy but it was drowned out by the whole of the book.
Maybe that was the authors intention?????
It is the story about a family that escapes Germany during the war to America. Although educated they find themselves in menial work and place in society. This is met with much bitterness and mistrust on their part. I found myself mostly being angry with the main characters as I felt although they did meet with some predujice they also limited their own experiences because of their mistrust and bitterness. I wanted a glimmer of hope for their lives but got little. As I felt they tried little. They took their bitterness over their circumstances out on each other which eventually ended up in destroying their family and each other.
Although the young girl rose way above her circumstances that she was raised with, she still had an attitude of self defeatism and I felt little joy and happiness in her circumstances. In the end there was a small nugget of joy but it was drowned out by the whole of the book.
Maybe that was the authors intention?????
Helpful Score: 2
From Publishers Weekly
Starred Review. At the beginning of Oates's 36th novel, Rebecca Schwart is mistaken by a seemingly harmless man for another woman, Hazel Jones, on a footpath in 1959 Chatauqua Falls, N.Y. Five hundred pages later, Rebecca will find out that the man who accosted her is a serial killer, and Oates will have exercised, in a manner very difficult to forget, two of her recurring themes: the provisionality of identity and the awful suddenness of male violence. There's plenty of backstory, told in retrospect. Rebecca's parents escape from the Nazis with their two sons in 1936; Rebecca is born in the boat crossing over. When Rebecca is 13, her father, Jacob, a sexton in Milburn, N.Y., kills her mother, Anna, and nearly kills Rebecca, before blowing his own head off. At the time of the footpath crossing, Rebecca is just weeks away from being beaten, almost to death, by her husband, Niles Tignor (a shady traveling beer salesman). She and son Niley flee; she takes the name of the woman for whom she has been recently mistaken and becomes Hazel Jones. Niley, a nine-year-old with a musical gift, becomes Zacharias, "a name from the bible," Rebecca tells people. Rebecca's Hazel navigates American norms as a waitress, salesperson and finally common-law wife of the heir of the Gallagher media fortune, a man in whom she never confides her past. Oates is our finest novelistic tracker, following the traces of some character's flight from or toward some ultimate violence with forensic precision. There are allusions here to the mythic scouts of James Fenimore Cooper's Leatherstocking Tales, who explored the same New York territory when it was primeval woods. Many of the passages are a lot like a blown-up photo of a bruiseugly without seeming to have a point. Yet the traumatic pattern of the hunter and the hunted, unfolded in Rebecca/Hazel's lifelong escape, never cripples Hazel: she is liberated, made crafty, deepened by her ultimately successful flight. Like Theodore Dreiser, Oates wears out objections with her characters, drawn in an explosive vernacular. Everything in this book depends on Oates' ability to bring a woman before the reader who is deeply veiledwhose real name is unknown even to herselfand she does it with epic panache. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
Starred Review. At the beginning of Oates's 36th novel, Rebecca Schwart is mistaken by a seemingly harmless man for another woman, Hazel Jones, on a footpath in 1959 Chatauqua Falls, N.Y. Five hundred pages later, Rebecca will find out that the man who accosted her is a serial killer, and Oates will have exercised, in a manner very difficult to forget, two of her recurring themes: the provisionality of identity and the awful suddenness of male violence. There's plenty of backstory, told in retrospect. Rebecca's parents escape from the Nazis with their two sons in 1936; Rebecca is born in the boat crossing over. When Rebecca is 13, her father, Jacob, a sexton in Milburn, N.Y., kills her mother, Anna, and nearly kills Rebecca, before blowing his own head off. At the time of the footpath crossing, Rebecca is just weeks away from being beaten, almost to death, by her husband, Niles Tignor (a shady traveling beer salesman). She and son Niley flee; she takes the name of the woman for whom she has been recently mistaken and becomes Hazel Jones. Niley, a nine-year-old with a musical gift, becomes Zacharias, "a name from the bible," Rebecca tells people. Rebecca's Hazel navigates American norms as a waitress, salesperson and finally common-law wife of the heir of the Gallagher media fortune, a man in whom she never confides her past. Oates is our finest novelistic tracker, following the traces of some character's flight from or toward some ultimate violence with forensic precision. There are allusions here to the mythic scouts of James Fenimore Cooper's Leatherstocking Tales, who explored the same New York territory when it was primeval woods. Many of the passages are a lot like a blown-up photo of a bruiseugly without seeming to have a point. Yet the traumatic pattern of the hunter and the hunted, unfolded in Rebecca/Hazel's lifelong escape, never cripples Hazel: she is liberated, made crafty, deepened by her ultimately successful flight. Like Theodore Dreiser, Oates wears out objections with her characters, drawn in an explosive vernacular. Everything in this book depends on Oates' ability to bring a woman before the reader who is deeply veiledwhose real name is unknown even to herselfand she does it with epic panache. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
Helpful Score: 1
A long but interesting story of hardship...I usually like Joyce Carol Oates stories and this one was no exception, but not my favorite
