This is the second novel featuring Emily Tempest, but probably okay if you haven't read the first, just read the jacket copy. Wonderfully vivid Australian outback setting, and an interesting character in Emily. She's so impulsive that I cringed more than once, and towards the middle of the book it leads her into a really horrific episode. Lots of odd and really odd characters to suspect whodunit. I liked how Hyland contrasted the two parts of Emily's life. The motive was believable, but the ending was really weird. And...I don't know...while there is a lot I liked, this book took me weeks to finish. I'd read two pages and put it down. I'm not good at being analytical about what I read, so I can't quite put my finger on it, but it just didn't work for me.
I truly enjoy books that educate as well as entertain. This one was one of them as the mystery demonstrates how two different cultures interact - sometimes well and other times poorly. Emily Tempest is hired as Aboriginal Community Police officer to aid the local police in dealing with her people and the whites who dominate the environment. The trouble is that Emily becomes deeply involved in the murder of a geologist for whom one of her people is arrested. She understands how to determine the truth from other Aboriginals but continually gets herself into trouble with her uptight, by-the-book supervisor and those she investigates. Who really killed Doc and why? These questions continually plague Emily as she searches for clues to provide the answers. She is beaten, raped and ridiculed. As she struggles with her emotions, she continues to help Danny, an Aboriginal boy who needs someone to help him deal with his teenage angst, growing up and the white community. In the meantime she finds some time to spend with her boyfriend who loves and cherishes her for whom she is. A fine read.
First Line: I closed my eyes, felt the ragged harmonies flowing through my head.
Working as an Aboriginal Community police officer, the half-Aboriginal, half-white Emily Tempest is working the harsh land of northern Australia. It doesn't take long for her to encounter her first dead body-- an old prospector she knew as a child. Trouble is, her boss has already figured out who the murderer is and wants Emily to mind her own business and work the night shift in town like a good little Abo girl. Emily believes the old prospector-- and the man they have thrown in prison--deserve much better than that, and she goes her own way, conducting her own investigation. Emily has never been afraid of getting into a fight, but during the course of her travels along Gunshot Road, she finds the hard knocks to be much worse than she'd anticipated.
This is an excellent follow-up to Hyland's first book, Moonlight Downs (published elsewhere as Diamond Dove). Emily is most definitely an amateur detective; she leads with her heart instead of her head, and she has a tendency to make mistakes. If she's lucky, the mistakes aren't painful, but she's not always lucky. In fact, if you have a strong aversion to violence against women, there is one scene in this book that you will want to avoid. For that matter, Emily's world is dirty and rough. People don't always bathe as often as they should, they use whatever language they feel like using, and violence is often a way of life. Expect grit and realism as you read about Emily.
Having a foot in two worlds, Emily has reaped some of the benefits of the white world: she has furthered her education, and she is a world traveler. However, she cannot and will not ignore injustice, especially to the Aboriginal people among whom she spent her childhood.
Each character in this book seems to fit perfectly into the hot and dusty land, and as much as I enjoy Hyland's plot, pacing and characters, one of the main reasons why I love his books is because of the landscape. It reminds me of my own chosen one:
"I wasn't paying a huge amount of attention to the road, I admit-- a nasty habit I've acquired since coming back out bush. Sometimes I even read while I'm driving. Nothing heavy, mind you-- crime, perhaps, maybe a magazine. I'm not the only culprit, I'm sure. Meeting another vehicle out here is an event of such magnitude you tend to get out and talk about it."
Like the Australian Outback, there are places here in the Arizona desert where you can drive all day long and never meet another living soul outside of a snake and a lizard or two. If you do meet someone out in this vast emptiness, you acknowledge each other. You are no longer in the city, and anonymity can get you killed. Although Hyland's territory is an exotic one, it does feel familiar to me even if I don't always understand the lingo.
Story, pacing, characters, setting... these are four very important things to any book, but Hyland adds yet another element that makes his writing stand out: the Aboriginal culture. As much as I enjoyed this book, one sentence engraved itself on my mind because it voices something I've felt for a long time without ever putting it into words: "He bin say you not from here. You move too fast: more better you slow down, take time for the country to know you."
Take time for the country to know you. In Gunshot Road, that is important advice from a people who have learned to live in rhythm with a very special land. Outside of Gunshot Road it is excellent advice for us all to follow.
If you haven't tasted a book written by Adrian Hyland, you've been missing a banquet.
Working as an Aboriginal Community police officer, the half-Aboriginal, half-white Emily Tempest is working the harsh land of northern Australia. It doesn't take long for her to encounter her first dead body-- an old prospector she knew as a child. Trouble is, her boss has already figured out who the murderer is and wants Emily to mind her own business and work the night shift in town like a good little Abo girl. Emily believes the old prospector-- and the man they have thrown in prison--deserve much better than that, and she goes her own way, conducting her own investigation. Emily has never been afraid of getting into a fight, but during the course of her travels along Gunshot Road, she finds the hard knocks to be much worse than she'd anticipated.
This is an excellent follow-up to Hyland's first book, Moonlight Downs (published elsewhere as Diamond Dove). Emily is most definitely an amateur detective; she leads with her heart instead of her head, and she has a tendency to make mistakes. If she's lucky, the mistakes aren't painful, but she's not always lucky. In fact, if you have a strong aversion to violence against women, there is one scene in this book that you will want to avoid. For that matter, Emily's world is dirty and rough. People don't always bathe as often as they should, they use whatever language they feel like using, and violence is often a way of life. Expect grit and realism as you read about Emily.
Having a foot in two worlds, Emily has reaped some of the benefits of the white world: she has furthered her education, and she is a world traveler. However, she cannot and will not ignore injustice, especially to the Aboriginal people among whom she spent her childhood.
Each character in this book seems to fit perfectly into the hot and dusty land, and as much as I enjoy Hyland's plot, pacing and characters, one of the main reasons why I love his books is because of the landscape. It reminds me of my own chosen one:
"I wasn't paying a huge amount of attention to the road, I admit-- a nasty habit I've acquired since coming back out bush. Sometimes I even read while I'm driving. Nothing heavy, mind you-- crime, perhaps, maybe a magazine. I'm not the only culprit, I'm sure. Meeting another vehicle out here is an event of such magnitude you tend to get out and talk about it."
Like the Australian Outback, there are places here in the Arizona desert where you can drive all day long and never meet another living soul outside of a snake and a lizard or two. If you do meet someone out in this vast emptiness, you acknowledge each other. You are no longer in the city, and anonymity can get you killed. Although Hyland's territory is an exotic one, it does feel familiar to me even if I don't always understand the lingo.
Story, pacing, characters, setting... these are four very important things to any book, but Hyland adds yet another element that makes his writing stand out: the Aboriginal culture. As much as I enjoyed this book, one sentence engraved itself on my mind because it voices something I've felt for a long time without ever putting it into words: "He bin say you not from here. You move too fast: more better you slow down, take time for the country to know you."
Take time for the country to know you. In Gunshot Road, that is important advice from a people who have learned to live in rhythm with a very special land. Outside of Gunshot Road it is excellent advice for us all to follow.
If you haven't tasted a book written by Adrian Hyland, you've been missing a banquet.
