Helpful Score: 1
This memoir described one month in the recent past of the author, while she was in therapy and one year in her less recent past. The convention of switching back and forth between the time periods and showing the correlations between events was less confusing than I thought it would be. The musical terminology and descriptions of pieces of music were confusing to me. She described her feelings a lot of times in terms of certain concertos and symphonies. I don't read music at all, and I had a hard time grasping the point of what she was trying to say.
I also didn't feel that the book really resolved. She went through a lot of abuse and broken relationships and her therapy was all about coming to terms with that. She described the process of that very well, but even though the book includes a 'Coda' (Epilogue) that takes place 3 years later and then the entire work was copyrighted 2 years after that, the author does not say how she now relates to her family and whether her father continues to be an abusive clergy person. I'm glad she can play the piano again, but I'd like to know how other things are going as well....
Possibly I shouldn't have attempted reading a memoir so steeped in musical theory with my lack of knowledge on the subject, but I was reading for the personal story, which I thought got lost amidst all the musical analogies. Also, I understand that this is probably a very difficult process, to write about one's childhood abuse, so I feel apologetic for judging the work rather harshly.
I also didn't feel that the book really resolved. She went through a lot of abuse and broken relationships and her therapy was all about coming to terms with that. She described the process of that very well, but even though the book includes a 'Coda' (Epilogue) that takes place 3 years later and then the entire work was copyrighted 2 years after that, the author does not say how she now relates to her family and whether her father continues to be an abusive clergy person. I'm glad she can play the piano again, but I'd like to know how other things are going as well....
Possibly I shouldn't have attempted reading a memoir so steeped in musical theory with my lack of knowledge on the subject, but I was reading for the personal story, which I thought got lost amidst all the musical analogies. Also, I understand that this is probably a very difficult process, to write about one's childhood abuse, so I feel apologetic for judging the work rather harshly.
Helpful Score: 1
This memoir described one month in the recent past of the author, while she was in therapy and one year in her less recent past. The convention of switching back and forth between the time periods and showing the correlations between events was less confusing than I thought it would be. The musical terminology and descriptions of pieces of music were confusing to me. She described her feelings a lot of times in terms of certain concertos and symphonies. I don't read music at all, and I had a hard time grasping the point of what she was trying to say.
I also didn't feel that the book really resolved. She went through a lot of abuse and broken relationships and her therapy was all about coming to terms with that. She described the process of that very well, but even though the book includes a 'Coda' (Epilogue) that takes place 3 years later and then the entire work was copyrighted 2 years after that, the author does not say how she now relates to her family and whether her father continues to be an abusive clergy person. I'm glad she can play the piano again, but I'd like to know how other things are going as well....
Possibly I shouldn't have attempted reading a memoir so steeped in musical theory with my lack of knowledge on the subject, but I was reading for the personal story, which I thought got lost amidst all the musical analogies. Also, I understand that this is probably a very difficult process, to write about one's childhood abuse, so I feel apologetic for judging the work rather harshly.
I also didn't feel that the book really resolved. She went through a lot of abuse and broken relationships and her therapy was all about coming to terms with that. She described the process of that very well, but even though the book includes a 'Coda' (Epilogue) that takes place 3 years later and then the entire work was copyrighted 2 years after that, the author does not say how she now relates to her family and whether her father continues to be an abusive clergy person. I'm glad she can play the piano again, but I'd like to know how other things are going as well....
Possibly I shouldn't have attempted reading a memoir so steeped in musical theory with my lack of knowledge on the subject, but I was reading for the personal story, which I thought got lost amidst all the musical analogies. Also, I understand that this is probably a very difficult process, to write about one's childhood abuse, so I feel apologetic for judging the work rather harshly.
