Catherine M. (Catherine1) reviewed The Sins of Lord Easterbrook (Rothwell Brothers, Bk 4) on + 60 more book reviews
Helpful Score: 5
I have been looking forward to this book for what seems like forever. Throughout this series I have been intrigued by Lord Easterbrook. He was so different from all the other characters and I couldn't wait to see what made him tick. Unfortunately it didn't meet my expectations.
I think the statement that Easterbrook makes to Leona, "I am Easterbrook" really defines the entirety of his character. He's troubled yes, but the issues he has are overshadowed by his arrogance and belief in his own superiority. On one hand I think this is a refreshing attitude. It's hard sometimes to suspend belief when nobility act like they don't have a sense of entitlement. I think it's more realistic to show a nobleman secure in his belief that people should do what he says just because of who he is. On the other hand it makes him aggravating. His arrogance starts to grate and you have to wonder why Leona is letting him walk all over her.
When I learned the reason for Easterbrook's reclusive habits I was intrigued. I was eager to see how the author would handle this disability. I never felt like that was explored though. There was no need to get a handle on it because it seemed like it surfaced in fits and starts. We're told that it's a constant battle for him to deal with it, but it wasn't an issue when it would be inconvenient to the story and only appeared when the author wanted to show Easterbrook's angst. I wanted consistency and a real look at what a struggle life must be for him. We got vague memories of a hard childhood and the bitter realities of being able to see into an unhappy home, but it wasn't enough. I couldn't help but feel that everything skimmed the surface and nothing really had any depth.
Leona was a flat character for me. I think she was supposed to be multifaceted with being torn between her longing for Easterbrook and her belief that her brother needed her, but it didn't work for me. When she decides she wants to be with Easterbrook forever she easily dismisses the earlier difficulties she had with leaving her brother to manage things on his own. The opium plot had the potential to be interesting, but it didn't work out. There were too many plots going on that there was no depth to any of them. I don't have many good things or bad things to say about Leona. She was just... there. Like furniture. There was nothing interesting about her.
I had a problem with Leona's character consistency. When Easterbrook makes the big reveal to her about his disability she's surprised. I find that very odd when multiple times before she gave the impression that she sensed him trying to probe her mind so she hid her thoughts. If she has felt that before and comments to herself on it, then why would it be shocking to find out the truth? Wouldn't it be more of an "aha!" moment to her? It seemed inconsistent.
The ending went out with a whimper instead of a bang. When the characters find out whom the villain is it's kind of disappointing. Instead of, "Wow, really?" it was, "Oh... really?" I think my problem with the book was the fact that so much was told, not shown. I wanted to be able to see the characters develop and fall in love. Instead I was told they were developing and that they were falling in love. Also, if there were fewer plots I believe I would have been able to focus on them more and become invested in the outcome.
Madeline Hunter is definitely a hit or miss author for me. I keep buying her because when her work is on for me I absolutely love her writing. I fall into the story and read for hours. Even though this book was meh for me I still admire the way Madeline Hunter turns a phrase. I think that she is a very skilled writer even when I am unable to become engaged by the characters and storyline. If this is your first book by Hunter and you weren't into it you might want to try another. She's very skilled; unfortunately it's only hit or miss.
I think the statement that Easterbrook makes to Leona, "I am Easterbrook" really defines the entirety of his character. He's troubled yes, but the issues he has are overshadowed by his arrogance and belief in his own superiority. On one hand I think this is a refreshing attitude. It's hard sometimes to suspend belief when nobility act like they don't have a sense of entitlement. I think it's more realistic to show a nobleman secure in his belief that people should do what he says just because of who he is. On the other hand it makes him aggravating. His arrogance starts to grate and you have to wonder why Leona is letting him walk all over her.
When I learned the reason for Easterbrook's reclusive habits I was intrigued. I was eager to see how the author would handle this disability. I never felt like that was explored though. There was no need to get a handle on it because it seemed like it surfaced in fits and starts. We're told that it's a constant battle for him to deal with it, but it wasn't an issue when it would be inconvenient to the story and only appeared when the author wanted to show Easterbrook's angst. I wanted consistency and a real look at what a struggle life must be for him. We got vague memories of a hard childhood and the bitter realities of being able to see into an unhappy home, but it wasn't enough. I couldn't help but feel that everything skimmed the surface and nothing really had any depth.
Leona was a flat character for me. I think she was supposed to be multifaceted with being torn between her longing for Easterbrook and her belief that her brother needed her, but it didn't work for me. When she decides she wants to be with Easterbrook forever she easily dismisses the earlier difficulties she had with leaving her brother to manage things on his own. The opium plot had the potential to be interesting, but it didn't work out. There were too many plots going on that there was no depth to any of them. I don't have many good things or bad things to say about Leona. She was just... there. Like furniture. There was nothing interesting about her.
I had a problem with Leona's character consistency. When Easterbrook makes the big reveal to her about his disability she's surprised. I find that very odd when multiple times before she gave the impression that she sensed him trying to probe her mind so she hid her thoughts. If she has felt that before and comments to herself on it, then why would it be shocking to find out the truth? Wouldn't it be more of an "aha!" moment to her? It seemed inconsistent.
The ending went out with a whimper instead of a bang. When the characters find out whom the villain is it's kind of disappointing. Instead of, "Wow, really?" it was, "Oh... really?" I think my problem with the book was the fact that so much was told, not shown. I wanted to be able to see the characters develop and fall in love. Instead I was told they were developing and that they were falling in love. Also, if there were fewer plots I believe I would have been able to focus on them more and become invested in the outcome.
Madeline Hunter is definitely a hit or miss author for me. I keep buying her because when her work is on for me I absolutely love her writing. I fall into the story and read for hours. Even though this book was meh for me I still admire the way Madeline Hunter turns a phrase. I think that she is a very skilled writer even when I am unable to become engaged by the characters and storyline. If this is your first book by Hunter and you weren't into it you might want to try another. She's very skilled; unfortunately it's only hit or miss.
Helpful Score: 4
I'm normally a fan of Madeline Hunter's books, but this was not up to her usual standards. I found the story slow & tough to slog through. The characters were so one-dimensional, uninteresting, and borderline boring that it was an effort to finish the book. I was hoping for some spark of life in the final pages, but in the end the entire story was nothing more than a bedside insomnia remedy.
Helpful Score: 2
Don't get me wrong; I read all of Madeline Hunter's books but like other reviewers, I also found this story too slow. If you think watching paint dry is boring, try reading paragraph after paragraph of the hero MEDITATING. I didn't make it to page 100 before I had to toss this in the 'Post to PBS' pile. ZZzzzzzz . . . almost put ME in a trance.
