Tess of the D'Urbervilles Author:Thomas Hardy Thomas Hardy — Tess of the d'Urbervilles — Etched against the background of a dying rural society, Tess of the d'Urbervilles was Thomas Hardy's "bestseller," and Tess Durbeyfield remains his most striking and tragic heroine. Of all the characters he created, she meant the most to him. Hopelessly torn between two ... more »men--Alec d'Urberville, a wealthy, dissolute young man who seduces her in a lonely wood, and Angel Clare, her provincial, moralistic, and unforgiving husband--Tess escapes from her vise of passion through a horrible, desperate act.
------"Like the greatest characters in literature, Tess lives beyond the final pages of the book as a permanent citizen of the imagination," said Irving Howe. "In Tess he stakes everything on his sensuous apprehension of a young woman's life, a girl who is at once a simple milkmaid and an archetype of feminine strength. . . . Tess is that rare creature in literature: goodness made interesting."
------Now Tess of the d'Urbervilles has been brought to television in a magnificent new co-production from A&E Network and London Weekend Television. Justine Waddell (Anna Karenina) stars as the tragic heroine, Tess; Oliver Milburn (Chandler & Co.) is Angel Clare; and Jason Flemyng is Alec d'Urberville.« less
This novel, although classic, did not move me as many other classics do. Several factors contributed to this, including a violation by a blood relative at the beginning of the novel, overly descriptive language describing the land, and the utter helplessness of the heroine. She is completely unable to stand up for herself. A reader will roll his or her eyes many times at Tess's attempt at self-futility, most pointedly during the scene where her husband reacts to her "secret." Some say her final act in this book makes up for the weakness she exhibits throughout, but for me, I didn't think so. Only recommended if you've got a misogynistic streak.
Although the experts deem this to be one of Hardys best novels, I found it to be a slow-moving soap opera: a triangular variation of the Hester Prynne-Rev. Dimmesdale saga, but much longer. In this, our heroine, Tess, seduced by a false dUrberville finally marries a Mr. Claire, the third son of a stalwart preacher, only to be immediately spurned by her new husband. What ensues are the trials and tribulations that she faces after being abandoned. It seems that what deserves forgiveness in the gander holds not for the goose. All this ends abruptly and unexpectedly in the conclusion. Hardy forces the readers imagination early in the story and again throughout; one must read between the lines and fill in the details. Thus, amplification of the seduction is largely in the mind of the reader, as are the fates of Tess and Mr. Claire at the conclusion.
A beautifully written allegorical insight into changing English mores at a time of great social and economic upheaval. The gross injustice of it through contemporary eyes kept me both angry and intrigued.
The text is very good, I have not finished the book yet because of lack of time. What I find most irritating about the book is the non margin on inner side of the pages. Almost impossible to read, a constant struggle to keep the book opened wide enough to read. How did the publishers ever get away with being so stingy with paper?
Although it is your typical classics downer, it is beautifully written and show how, unfortunately, some attitudes about and by women and men have not changed.
