Helpful Score: 4
Through the first three quarters of this novel, I was very much enjoying it. It seemed a curious throwback in McKinley's cannon, more akin to The Hero and the Crown than more recent works like Sunshine or Dragonhaven. It was again in a sort of distant third-person limited replete with lyrical imagery, and very much like The Hero and the Crown it completely ignored the convention of telling its story linearly. It was also set in a beautiful imaginary world that felt small but deep -- geographically it covered maybe 50 square miles (minuscule for a fantasy novel) but it felt like there was history there going back hundreds of years.
I loved the political system McKinley imagined, magically tied to the land and thus chosen by the land itself. Again very much like The Hero and the Crown, very little about the setting is ever spelled out for the reader: we see the role of the Chalice because Mirasol spends the novel trying to embody it, but the Master, the Grand Seneschal, and the rest of the circle are left in shadow. All we know about them is what we are able to glean from the corner of our eyes and our common sense knowledge of language (the titles are, after all, descriptive). I found this refreshing; it's wearying at times to read modern fantasy novels that spend page after page lovingly detailing their world but without actually using that world in their plot. None of the Circle had a major role, so giving the reader a prosaic job description for each of them would have broken the point of view (Mirasol knows what they do, so she doesn't need to think about their day to day tasks at any point) and would therefore have been pure indulgence on the author's part (a way of saying "look at what I made!").
And of course, like all McKinley novels, it is a Beauty and the Beast tale.
Unfortunately, while in The Hero and the Crown all the digressions and flashbacks subtly build to a climax that is moving and wondrous, in Chalice the ending feels abrupt, almost anti-climactic. Just as we are fitting the characters into their world and feeling the tension starting to rise toward some final showdown, the showdown is over and we are given a happily ever after that doesn't feel deserved. Mirasol never has to make a hard choice like Aerin does, her beast is magically transformed back to a man, and we are left saying "huh?" It really feels as though McKinley simply didn't know how to end her story, so she pasted some images together and sent it off to her publisher.
Still, none of McKinley's writing is ever unpleasant to read, and even if the ending fell flat, the rest of the novel was very much McKinley in top form. Like all McKinley novels it also leaves the reader wanting a sequel, wanting many sequels really, so we can peer longer into all the delightful little corners we glimpsed here. A sequel is highly unlikely, given McKinley's track record, but that craving indicates how good a writer she is, even when the novel isn't her best.
I loved the political system McKinley imagined, magically tied to the land and thus chosen by the land itself. Again very much like The Hero and the Crown, very little about the setting is ever spelled out for the reader: we see the role of the Chalice because Mirasol spends the novel trying to embody it, but the Master, the Grand Seneschal, and the rest of the circle are left in shadow. All we know about them is what we are able to glean from the corner of our eyes and our common sense knowledge of language (the titles are, after all, descriptive). I found this refreshing; it's wearying at times to read modern fantasy novels that spend page after page lovingly detailing their world but without actually using that world in their plot. None of the Circle had a major role, so giving the reader a prosaic job description for each of them would have broken the point of view (Mirasol knows what they do, so she doesn't need to think about their day to day tasks at any point) and would therefore have been pure indulgence on the author's part (a way of saying "look at what I made!").
And of course, like all McKinley novels, it is a Beauty and the Beast tale.
Unfortunately, while in The Hero and the Crown all the digressions and flashbacks subtly build to a climax that is moving and wondrous, in Chalice the ending feels abrupt, almost anti-climactic. Just as we are fitting the characters into their world and feeling the tension starting to rise toward some final showdown, the showdown is over and we are given a happily ever after that doesn't feel deserved. Mirasol never has to make a hard choice like Aerin does, her beast is magically transformed back to a man, and we are left saying "huh?" It really feels as though McKinley simply didn't know how to end her story, so she pasted some images together and sent it off to her publisher.
Still, none of McKinley's writing is ever unpleasant to read, and even if the ending fell flat, the rest of the novel was very much McKinley in top form. Like all McKinley novels it also leaves the reader wanting a sequel, wanting many sequels really, so we can peer longer into all the delightful little corners we glimpsed here. A sequel is highly unlikely, given McKinley's track record, but that craving indicates how good a writer she is, even when the novel isn't her best.
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