Helpful Score: 2
Having been a long-time fan of the Alex Cross series, I was eager to open up my copy of CROSS. A lot of what I love about the series and Patterson's writing were inside the pages of this book: short chapters, straight-to-the-point dialogue, a fast-moving plot. The only problem is that the plot, in general, left me wanting to yell at someone.
I can overlook the fact that Alex Cross's wife apparently didn't die the way he had originally stated. I can even overlook the fact that after fourteen years and several other relationships (one that even ended in producing a son), Alex now seems obsessed with "getting over" his long-dead wife.
What I couldn't overlook was the fact that with this book, besides being a detailed description of his wife's murder and Alex's new committment to finding her killer, there's not a whole lot else there. The Alex in this book is moody, melancholy, and totally anti-Alex Cross to the point that I wasn't even sure, halfway through the book, that I was reading about the same character.
He's not the only one, though. His children, his friends, and even dear old Nana Mama are all acting out of character--and not in good ways.
Sure, the "mystery and suspense" part of the story is a pretty good one. Patteron's writing style is always a welcome change to me.
CROSS, though, is one Alex Cross story I could have done without.
I can overlook the fact that Alex Cross's wife apparently didn't die the way he had originally stated. I can even overlook the fact that after fourteen years and several other relationships (one that even ended in producing a son), Alex now seems obsessed with "getting over" his long-dead wife.
What I couldn't overlook was the fact that with this book, besides being a detailed description of his wife's murder and Alex's new committment to finding her killer, there's not a whole lot else there. The Alex in this book is moody, melancholy, and totally anti-Alex Cross to the point that I wasn't even sure, halfway through the book, that I was reading about the same character.
He's not the only one, though. His children, his friends, and even dear old Nana Mama are all acting out of character--and not in good ways.
Sure, the "mystery and suspense" part of the story is a pretty good one. Patteron's writing style is always a welcome change to me.
CROSS, though, is one Alex Cross story I could have done without.
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