Alice B. reviewed on 3/29/2015 + 3563 more book reviews

Dick Francis reminds me of a master craftsman of say fine furniture. His quality and style are such that, though all his pieces are different, they nevertheless bear the mark of his unique style and craftsmanship. Once in a while you'll come across a piece that's so unique that at first you're not absolutely sure it's one of his but a very short inspection convinces you that, yes, as odd as this piece may be, it's his.
That's a long way of alluding to the fact that Francis' books tend to be highly formulaic. For the most part you know what you are getting before you even open the cover. The formula consists of a highly independent, iconoclastic, extremely self-reliant protagonist who, for reasons he doesn't fathom, has become the center of a storm that, before everything has played out, will involve him in intrigue, murder and at least one act of horrific violence aimed at him personally. There will be some sort of at least marginal if not central theme of horse racing and a specific theme to the book-precious gems, photography or, in the case of Proof, the wine business.

Proof is a bit of a departure form the formula. The horrific violence is right up front in the form of a ghastly automobile accident. Tony Beach, the protagonist of this accident is present to experience it though he emerges unscathed. The accident does, however, bring him into contact with a private investigator. Their shared experience leads them to get ot know one another and the investigator, realizing Tony has some skills he needs, drags him into one of his cases. Thus Tony is an involved party to, but not the focus of the intrigue of this novel.

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