Reviewed by Natalie Tsang for TeensReadToo.com
C.S. Lewis, author of THE CHRONICLES OF NARNIA, once wrote that there are three ways of writing for children. The first is to cater to what children want (but people seldom know what they want and this usually ends badly), the second develops from a story told to a specific child (Lewis Carrol's THE ADVENTURES OF ALICE IN WONDERLAND, for instance), and the third is that it is simply the best art form to convey the story.
Gemma Malley's debut young adult novel, THE DECLARATION, is of the last category.
I am making this point because while THE DECLARATION involves two teenagers, fourteen-year-old Anna and fifteen-year-old Peter, it never feels aimed towards the teen audience Therefore it is categorized as a young adult novel by the age of its narrators rather than its content and this, I believe, will give it an enduring quality. C. S. Lewis wrote, "Where the children's story is simply the right form for what the author has to say, then of course readers who want to hear that will read the story or reread it at any age."
THE DECLARATION opens in the year 2140, and people have conquered death in the form of Longevity drugs. With limited food and fuel resources, waste has become a serious crime and the worst crime of all is having a child. Anna is one of these children. She is housed at Grange Hall where she and other Surpluses are taught that the most they can ever hope for is a harsh life of servitude to make amends for their existence.
Anna is well on her way to becoming a Valuable Asset when Peter arrives at Grange Hall. He challenges everything she has learned by arguing that people who take Longevity are the real criminals and perversions of nature, not the young. He also claims that he knows her parents and that they want her back. Peter is strange and new, but is he enough to make her risk everything to escape with him?
Unlike some novels that use characters, plot, and setting as a vehicle to drive home a message, Gemma Malley never lets the moral and ethical questions she raises detract from the actual story. The characters are well drawn and identifiable, and the language is simple and unpretentious. THE DECLARATION is not without flaws, especially the failure to explain or integrate Mrs. Pincent's involvement with the black market product Longevity+ into a major plotline, but this lends mystery and excitement for a sequel.
Even though it contains a handful of science fiction and young adult hallmarks, such as a utopia/dystopia setting, wonder drugs, and finding and defining oneself, it cannot be dismissed as merely a youthful 1984 knockoff. It is mostly a book about people, fear, and loss. Themes that are, if not always, exquisitely accessible in this age.
C.S. Lewis, author of THE CHRONICLES OF NARNIA, once wrote that there are three ways of writing for children. The first is to cater to what children want (but people seldom know what they want and this usually ends badly), the second develops from a story told to a specific child (Lewis Carrol's THE ADVENTURES OF ALICE IN WONDERLAND, for instance), and the third is that it is simply the best art form to convey the story.
Gemma Malley's debut young adult novel, THE DECLARATION, is of the last category.
I am making this point because while THE DECLARATION involves two teenagers, fourteen-year-old Anna and fifteen-year-old Peter, it never feels aimed towards the teen audience Therefore it is categorized as a young adult novel by the age of its narrators rather than its content and this, I believe, will give it an enduring quality. C. S. Lewis wrote, "Where the children's story is simply the right form for what the author has to say, then of course readers who want to hear that will read the story or reread it at any age."
THE DECLARATION opens in the year 2140, and people have conquered death in the form of Longevity drugs. With limited food and fuel resources, waste has become a serious crime and the worst crime of all is having a child. Anna is one of these children. She is housed at Grange Hall where she and other Surpluses are taught that the most they can ever hope for is a harsh life of servitude to make amends for their existence.
Anna is well on her way to becoming a Valuable Asset when Peter arrives at Grange Hall. He challenges everything she has learned by arguing that people who take Longevity are the real criminals and perversions of nature, not the young. He also claims that he knows her parents and that they want her back. Peter is strange and new, but is he enough to make her risk everything to escape with him?
Unlike some novels that use characters, plot, and setting as a vehicle to drive home a message, Gemma Malley never lets the moral and ethical questions she raises detract from the actual story. The characters are well drawn and identifiable, and the language is simple and unpretentious. THE DECLARATION is not without flaws, especially the failure to explain or integrate Mrs. Pincent's involvement with the black market product Longevity+ into a major plotline, but this lends mystery and excitement for a sequel.
Even though it contains a handful of science fiction and young adult hallmarks, such as a utopia/dystopia setting, wonder drugs, and finding and defining oneself, it cannot be dismissed as merely a youthful 1984 knockoff. It is mostly a book about people, fear, and loss. Themes that are, if not always, exquisitely accessible in this age.
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