The Man Who Cast Two Shadows (aka The Man Who Lied to Women) (Kathleen Mallory, Bk 2)
Author:
Genre: Mystery, Thriller & Suspense
Book Type: Mass Market Paperback
Author:
Genre: Mystery, Thriller & Suspense
Book Type: Mass Market Paperback
Cathy C. (cathyskye) - , reviewed on + 2309 more book reviews
Helpful Score: 2
If you're the type of reader who prefers likable, touchy feely main characters, move away from this book (and the entire series). Kathy Mallory is not the character for you. Found living on the streets as a young child, she was taken in and raised by a police officer and his wife, both of whom soon realized that Mallory's sociopathic tendencies required special handling. Mallory does not form relationships like normal people. She doesn't bond; she doesn't chit chat; she doesn't smile; and she certainly doesn't laugh. She's like a hand grenade with a loose pin-- Handle With Care. A small portion of her past is revealed in The Man Who Cast Two Shadows, and although readers will be moved to feel compassion towards her, rest assured that Mallory herself will show none to anyone.
The plot is tight and suspenseful, dealing with the woman's death, Mallory's toying with a killer, and a boy who may have telekinetic powers. The setting of New York City could be declared one of the cast of characters. O'Connell shows a touch of poetry now and again in her prose, but the tone of her poetry is bleak. More of the story could be told from Mallory's point of view, and there are a few too many times when we're told about her behavior rather than seeing it for ourselves. All in all, Mallory is like a black hole at the very heart of this book, and if you can withstand her gravitational pull and resist the need for her to change, you are in for a treat involving one of the most fascinating characters in crime fiction.
The plot is tight and suspenseful, dealing with the woman's death, Mallory's toying with a killer, and a boy who may have telekinetic powers. The setting of New York City could be declared one of the cast of characters. O'Connell shows a touch of poetry now and again in her prose, but the tone of her poetry is bleak. More of the story could be told from Mallory's point of view, and there are a few too many times when we're told about her behavior rather than seeing it for ourselves. All in all, Mallory is like a black hole at the very heart of this book, and if you can withstand her gravitational pull and resist the need for her to change, you are in for a treat involving one of the most fascinating characters in crime fiction.
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