Jennifer R. (chirey) - , reviewed on 7/15/2008 + 117 more book reviews

The year is 1926, and Ethan Gravesend has just inherited Harrow House -- the Watch Point, New York, home of his grandfather Justin Gravesend (who tells the story of his own early years in The Necromancer). Called Nightmare House by the local newspapers because of the events that have taken place under its roof, it is also said that every stone, every piece of glass, of this English-style manor castle was chosen specifically by Justin with full knowledge of its history and possible black-magical effects.

"Harrow, you belong to me," Ethan proclaims upon his arrival. "But I was to learn," the elder Ethan notes in the telling of this story from the present day, "that this house belonged to no man." However, Ethan feels as if he has come home at last. He used to visit Harrow in his youth, but his parents kept him away except for those rare visits, though he would dream of it at night.

Newly single, Ethan is prepared to settle in to his newly acquired wealth and status -- until the dead woman is discovered in the secret walled-off room. Accompanied by chief of police Pocket and local boy Alf, other frightening events are to come (during what the elder Ethan calls a "night of mystery") that will cause him to wonder what exactly his grandfather has let loose in Harrow. But these events will pale in comparison to the new information he discovers about his family.

Author Douglas Clegg has said that Nightmare House is his version of the "quiet ghost story" -- in fact, each Harrow novel reflects a favored literary style of his. Clegg leaps around from first-person to third-person, past to present, with confidence, and he never misses a step. Reader Michael Taylor (from Books in Motion, the audio publisher who produced this edition) follows along gamely. Taylor's friendly baritone eases the listener into the strange happenings like a kindly uncle telling a spooky story before the fire. He also shows a surprising facility with voices that I would have thought out of his range. I especially enjoyed Taylor's characterization of Pocket; Clegg gives Pocket a lot of space to maneuver as a supporting character, even allowing him to tell his own side of the story, and Taylor gives him a dose of extra personality.

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