The fantasy genre is well known for taking rich, varied, and well known mythology and twisting it up in new ways. Or at least, attempting to twist it up in new ways. Because let's face it, the vampire has already been invented. Now it's all about what you do with him.
So first, the really good- Cassandra Clare does a mighty fine job of taking rich and varied and well known mythologies and giving them a brand new spark of life that has not been written into the ground already. I enjoy that she picks bits of mythology from all over and uses it to create a world full of truths and half-truths and the people who have to deal with it all. This isn't just another fantasy novel. It reminds me of The Dresden Files for young adults.
The other really good thing about this book, is that the characters are a lot less cliched and stereotypical than most books in this genre. The main male character, Jace, might be pretty and the love interest (more on that in a moment) but he is also haughty, cocky, unlikeable and reactionary. She writes him so well that I sometimes find myself irritated with him- a beautiful and well drafted flaw. Who says our heroes need to be perfect anyway? This is also somewhat of a problem for her though too, because she tries so hard not to write predictable characters that they tend to fall out the other side of the extreme.
I'm also delighted by her fight scenes, which are clear and well written but not long and drawn out. Fight scenes have a tendency to be repetitive. She knows when to get on with it.
The bad- some of the prose is a little watered down. Contrite but clearly written with pleasure. Clare has never met a metaphor she didn't like. Still, the book was a page turner- I ferreted away in an empty cubicle at work to devour it during my breaks, flowery language or not.
The weird (and ugly)- The romance is bizarre. It's not even thinly veiled incestuous desire...it's right in your face and deals with it in a way that is going to make a lot of people uncomfortable. It makes me uncomfortable. I was at first horrified by her choice. Why would an author do this? But I am a little impressed with her ballsy choices for romances- a very homosexual blooming romance and a heartbreaking passion between two people who only recently found out their brother and sister. That's gutsy, and I can't say I haven't been craving some gutsy romances lately. But like I said, the incestuous romance is so weird it's not good. It reminds me a lot of the incestuous romance in The Royal Tennenbaums. I'm pretty sure we'll find out they aren't brother and sister, but honestly, the damage has been done.
Finally- I like Clary. She's weak and flawed and easily scared and up until the end of the second book, she's sort of a liability in every dangerous situation she's been in. And that makes sense, up until a very short while ago, she was a normal girl getting dressed up to dance at a goth club. It does surprise me though that no one offers to help her become less of a liability, until her powers manifest over night to make her super uber awesome. This is tragic. I'd rather have a main character who is just ok but brave and smart than one who can bring the world to its knees with no apparent explanation and no hard work.
But in the end, I was still captivated and still enthralled and I devoured it in a couple of days, to the neglect of everything else. In the end, that's what matters most to me.
So first, the really good- Cassandra Clare does a mighty fine job of taking rich and varied and well known mythologies and giving them a brand new spark of life that has not been written into the ground already. I enjoy that she picks bits of mythology from all over and uses it to create a world full of truths and half-truths and the people who have to deal with it all. This isn't just another fantasy novel. It reminds me of The Dresden Files for young adults.
The other really good thing about this book, is that the characters are a lot less cliched and stereotypical than most books in this genre. The main male character, Jace, might be pretty and the love interest (more on that in a moment) but he is also haughty, cocky, unlikeable and reactionary. She writes him so well that I sometimes find myself irritated with him- a beautiful and well drafted flaw. Who says our heroes need to be perfect anyway? This is also somewhat of a problem for her though too, because she tries so hard not to write predictable characters that they tend to fall out the other side of the extreme.
I'm also delighted by her fight scenes, which are clear and well written but not long and drawn out. Fight scenes have a tendency to be repetitive. She knows when to get on with it.
The bad- some of the prose is a little watered down. Contrite but clearly written with pleasure. Clare has never met a metaphor she didn't like. Still, the book was a page turner- I ferreted away in an empty cubicle at work to devour it during my breaks, flowery language or not.
The weird (and ugly)- The romance is bizarre. It's not even thinly veiled incestuous desire...it's right in your face and deals with it in a way that is going to make a lot of people uncomfortable. It makes me uncomfortable. I was at first horrified by her choice. Why would an author do this? But I am a little impressed with her ballsy choices for romances- a very homosexual blooming romance and a heartbreaking passion between two people who only recently found out their brother and sister. That's gutsy, and I can't say I haven't been craving some gutsy romances lately. But like I said, the incestuous romance is so weird it's not good. It reminds me a lot of the incestuous romance in The Royal Tennenbaums. I'm pretty sure we'll find out they aren't brother and sister, but honestly, the damage has been done.
Finally- I like Clary. She's weak and flawed and easily scared and up until the end of the second book, she's sort of a liability in every dangerous situation she's been in. And that makes sense, up until a very short while ago, she was a normal girl getting dressed up to dance at a goth club. It does surprise me though that no one offers to help her become less of a liability, until her powers manifest over night to make her super uber awesome. This is tragic. I'd rather have a main character who is just ok but brave and smart than one who can bring the world to its knees with no apparent explanation and no hard work.
But in the end, I was still captivated and still enthralled and I devoured it in a couple of days, to the neglect of everything else. In the end, that's what matters most to me.
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